PRESS

Watching Tallulah is not just entertaining, but good for the soul…It’s been a longtime since anything has impressed me enough to actually write a review unprompted, but Feathers and Toast has inspired me, and I hope she inspires you too

Headlining the show was actress Mhairi Morrison appearing as her ever-in-a-fuss character who hilariously and quite decadently clowned up what would have otherwise been unfortunate moments of trevas in between each number

With a wide appeal the charm of the character seeps through and the endless repartee with the rest of the crew, wonderfully breaking the fourth wall adds an underused dimension to the show, especially on the web

The gags, the grimaces, the expressions, the play…these are all indispensable of course in all comedy. But the best actress in a comedy webseries comes with her whole universe and lots of talent deriving from a solid classical training. Best actress in a comedy webseries, Mhairi Morrison

I love the idea of making something different and there is definitely more than enough here for me to sign off on a pilot sitcom were I a man of any power and influence what-so-ever

A screwball comedy in the style of Lucille Ball and Carol Burnett…

Watching “Feathers and Toast” a cooking show for the modern woman (or man, no gender bias implied) is like learning to cook from Lucy Carmichael

Tallulah is delightful, charming and can rock a pair of classic white gloves while cooking

…the cinematography and soundtrack give a vintage feel, almost like a 1950s era TV show, which set it apart from other comedy shows. One part Lucille Ball, a pinch of AbFab and of course a soupcon of Julia Child is the recipe for a fun and brilliant series

It’s all Feathers and Toast with the lovely Tallulah Grace, heartbroken Scottish mime turned web cooking show host, now back with season two, olive branch and spatula in hand, ready to bring hope to (single) ladies with a penchant for dramedy in the kitchen and EVERYWHERE ELSE

Mme. Nutty who massacres all her ingredients

By herself, Morrison’s brand of comedy is a tour de force, but when given the chance to play off other actors the performative spects of her comedy becomes impressively reactionary and Morrison’s humor thrives. Because when a woman like Tallulah Grace is asked to share her show with a fan, a fellow mime, a French showgirl and even a cat. we can expect the reaction to be as congenil as Edwina and Patsy (Absolutely Fabulous) facing an alcohol shortage